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International Conference in Danville Will Focus on ‘O’Neill’s Global Legacy’ Presentations of academic papers, panel discussions, performances, an awards dinner and tours will highlight a five-day conference focused on the playwright Eugene O’Neill that will open June 11 in Danville, attracting conferees from throughout the United States and at least seven foreign countries. In all, 100 people with a devotion to the famed playwright and his award-winning works are expected to attend the event, the theme of which is “O’Neill’s Global Legacy.” Conferees from foreign countries, many representing educational institutions, include those from Canada, Tunisia, Belgium, France, China, Russia and India. The conference is sponsored by the Eugene O’Neill Foundation in partnership with the National Park Service, which maintains O’Neill’s Tao House estate in Danville as a National Historic Site, and the Eugene O’Neill Society. It was at Tao House during the late Thirties and early Forties that O’Neill wrote his last six plays, including “Long Day’s Journey Into Night” and “A Moon for the Misbegotten,” both of which earned him the Pulitzer Prize. Based at the San Ramon Marriott Hotel, the conference will include 10 panels of O’Neill experts discussing such topics as “O’Neill on the World Stage” and “ Staging O’Neill.” Two productions that were the centerpiece of the annual O’Neill Festival in Danville last year will be performed during the conference. San Francisco Bay Area director Daren A.C. Carollo will direct “O'Neill: TheGenius in His Soul,”a program of poetry by O'Neill intertwined with 11 songs from his plays on June 13. The poems and music will be performed by Bobbie and Keith Barlow, of the Diablo Light Opera Company and drama professor Dan Cawthon and actress Susan Jackson, a member of the foundation board. A dramatic interpretation of “Tomorrow,” O’Neill’s only published short story that was published in 1917, will be presented on June 14 in the Old Barn at Tao House by the Word for Word Performing Arts Company of San Francisco. The group is noted for staging short stories and performing every word an author has written.The performance features Bay Area actors Patrick Alparone, Joel Mullenix, David J. Winter, and Paul Finocchiaro. A program of sea chanties that O’Neill was fond of will be performed at Tao House on June 12. Conferees will be invited to tour the O’Neill Commemorative in Front Street Park in downtown Danville; the Museum of the San Ramon Valley, where there will be an O’Neill exhibit; Tao House, and Livermore Valley wineries. At an awards dinner on June 12, three individuals will be honored for their contributions to the American theatre, academia and literature. The O’Neill Foundation will honor Robert Brustein, one of the major forces in American theatre, with its prestigious Tao House Award, last given to Edward Hastings, founding member and former executive and artistic director of the American Conservatory Theatre (A. C. T.) in San Francisco. The society will present its Silver Medallion to Stephen Black, professor emeritus of English at Simon Fraser University in Vancouver, B.C. and author of Eugene O’Neill:Beyond Mourning and Tragedy”; and Jackson Bryer, professor emeritus of English at the University of Maryland and author of several books on O’Neill and F. Scott Fitzgerald. Black, a previous recipient of the Tao House Award, and Bryer are past presidents of the Eugene O’Neill Society. Brustein is founding director of the Yale Repertory and American Repertory Theatres. Carol Sherrill, former board president of the Eugene O’Neill Foundation, and a member of the Honorary Board of Directors, is chairing a committee planning the conference. Serving with her is foundation president Gary Schaub and fellow board members Trudy McMahon, Eileen Hermann Miller, and Dan Cawthon. Also, Wendy Cooper, Diane Schinnerer (who is also secretary of the Eugene O’Neill Society), Carol Lea Jones, Florence McAuley and Linda Best, all members of the foundation’s Honorary Board. Loucey DeAtley, the wife of board member Gary DeAtley, is coordinating visit hospitality arrangements.
Student Days at Tao HouseA record number of students attended 2008 Student Days, a program offering professional training by authorities in drama, art, photography and writing to high school students at the Eugene O’Neill National Historic Site, Tao House, in Danville. This year, 116 students—a record—from 19 high schools in the East Bay was accepted for the program this year. Limited resources prevented an additional 30 students from attending. As was the case last year, the 2008 program was funded in large part by the Charles and Shirlene Clark Family Foundation of Lodi. Plans call for displaying artwork created by the students. Among the locations: The O’Neill International Conference in Danville in June and the Museum of the San Ramon Valley, Danville. Student Days is a program of the Eugene O’Neill Foundation in partnership with the National Park Service. Artist Days at Tao HouseEach year, Bay Area artists are selected to create new works in the natural setting of the Tao House estate. Works are displayed later in various venues. The foundation, in partnership with the National Park Service and the Danville Area Cultural Alliance, inaugurated this program in 1998. Tao House is opened on specific days in the spring for artists of all disciplines. Visiting Artist ProgramThe first Visiting Artist at Tao House was Michael O’Neill, who visited from April 15-May 15, 2005. Dr. O’Neill is Director of Theater, Lafayette College, Easton, Pa. A prolific director, he has also written for The Theatre Journal, Renascence, and The Eugene O’Neill Review.A graduate of Fordham University, he received his PhD from Purdue University, where his dissertation was: The Evolution of Form in Contemporary Drama. He is currently writing a book on the Irish character that was created in Synge’s The Playboy of the Western World, and its shadow on subsequent Irish drama, including the works of Bernard Shaw, Sean O’Casey, Eugene O’Neill, Brian Friel and Martin McDonagh. While at Tao House, O’Neill conducted research and writing, directed plays for the foundation’s Playwrights’ Theatre, and lectured at Rakestraw Books in Danville. His comments on his experience at Tao House are included in the September 2005 Eugene O’Neill Foundation newsletter. <back to top>Playwrights' Theatre
Actress Karen Grassle, who starred in the TV hit series “Little House on the Prairie,” will be at a bigger house in May -- Eugene O’Neill’s Tao House estate in Danville. where she will be appearing in the 2008 Playwrights’ Theatre series. The series will include staged readings of O’Neill’s rarely-produced “Welded”and “Blood Mirage,” a new work, will highlight the series in the Old Barn at Tao House. “Blood Mirage,” by San Francisco actor, director, producer and playwright Jeffrey Hartgraves, will open the series on May 4 along with “Revelations,” a series of scenes from O’Neill plays in which women are the principal characters and in which Grassle will be featured. “Welded,” about a successful playwright and his wife, will be performed on May 18. Performances on both dates will begin at 3 p.m. in the Old Barn at Tao House. Tickets at $25 for each show are on sale at the Eugene O’Neill Foundation in Danville (925) 820-1818 as well as online via Pay Pal. Tickets include transportation to Tao House. Private vehicles are not allowed. The transportation schedule will be provided at time of ticket purchase. Although she achieved fame as Caroline Ingalls, co-star Michael Landon’s ranch wife in the “Little House series that began in 1974, Grassle is no stranger to the stage. She made her Broadway debut in 1968 in “The Gingham Dog” and appeared over the years with regional and touring companies in such hits as “Driving Miss Daisy.” Grassle is a native of Berkeley, where she was born in 1944. Mike Ward, artistic associate at the Magic Theatre in San Francisco, will direct “Blood Mirage”. Ward describes “Blood Mirage” as a story of three adult sisters who are called together by their aging mother to attend the funeral of her sister, their aunt. The mother decides that certain truths must be revealed before t is too late. The daughters find that their lives are altered through a shift in nothing more or less potent than perspectives. Ward returns to Tao House after last year’s successful presentation of Adam Sandel’s “This is Not My Life.” “Welded” will be directed by Josy Miller, artistic director of the new Hapgood Theatre in Antioch. The play was written by O’Neill in 1922-23, and performed the following year at the Thirty-Ninth Street Theatre in New York. Although it did not enjoy a successful run, it is an example of O’Neill’s early attempts to explore the nature of married love. He sought to convey the inner conflicts of the individual spouses and reveal the spiritual dimension of the marriage bond. The play’s protagonists, a successful playwright and his actress wife, bear striking resemblances to O’Neill and his second wife, Agnes Boulton, a writer whose career, in the early years of their marriage, rivaled his. In the play, O’Neill challenges the couple to remove the masks which they have been wearing in the marriage. Unable to do so, each of them seeks comfort in another relationship—she with a family friend, he with a prostitute. It is in their reunion, in the final act of the play, that O’Neill introduces the notion of a spiritual love, a sacrament, which demands a surrender of their egocentric selves, one, which transcends yet bonds them forever. While he was drafting the play, he wrote in Theatre Arts magazine: “I feel that I’m getting back as far as it is possible in modern times to get back, to the religious in the theatre. The only way we can get religion back is through an exultation over the truth, through an exultant acceptance of life.” The Playwrights’ Theatre, now in its 13th season, is a program of the Eugene O’Neill Foundation in partnership with the National Park Service, which maintains Tao House as a National Historic Site. The theatre features new works as well as those by O’Neill or by playwrights who were influenced by the legendary dramatist.
About Playwrights' Theatre In 1996, the Eugene O'Neill foundation initiated the Playwrights’ Theatre, a series of staged readings of plays in the Old Barn at Tao House. Prominent Bay Area directors and actors take part. The name of the series honors O’Neill’s Playwrights’ Theatre, formed in 1916 in New York City by the Provincetown Players who committed themselves to fostering American playwrights. FestivalJoin us in Danville for the ninth annual Eugene O’Neill Festival
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