by Eugene O’Neill
John Loving’s life is in crisis and he is trying to cope with it through the act of writing a book about it. The end of the story is the battleground over which the multiple sides of his personality fight. Days Without End is a fascinating look at the parallel emotional crises of an artist and his life and the interaction and blurring of the lines between. Known as O’Neill’s final theatrical experiment, Days features two actors playing one man simultaneously throughout the play. This is a rare chance to see a play lost to time that touches on the timely topic of creating and controlling one’s narrative.
For tickets ($25) to this staged reading, click HERE
CHAD DEVERMAN has been performing in the Bay Area for over ten years, working with such companies as ACT, TheatreWorks, Word for Word (French Tour), San Francisco Playhouse, California Shakespeare Theater, and San Jose Repertory. Film and television projects include the independent films The Delivery Man, Men of the Tree, Curves, and a recurring role on NBC’s Trauma. Mr. Deverman also had a hand in the creation and development of the O’Neill Studio Retreat, the summer master class for advanced teenage actors and playwrights hosted by the O’Neill Foundation at the Tao House.
TEDDY SPENCER is thrilled to return to EONF, where he was last seen in readings of Terra Nova and Beyond the Horizon. Spencer’s regional credits include Hamlet at American Conservatory Theatre; The Liar, and A Christmas Carol at Center RE, Cabaret, and Henry IV at Dallas Theater Center; Assassins, and Clybourne Park at Milwaukee Repertory Theater; As You Like It, Much Ado About Nothing, and Romeo & Juliet at Marin Shakespeare Company; 4000 Miles at Capital Stage Company; Sense & Sensibility at Sacramento Theater Company; and Macbeth and Othello with the Arabian Shakespeare Festival. As a member of the Reduced Shakespeare Company, he has performed throughout the world. His on-camera work includes Workaholics (Comedy Central), Studio City Kings (Wonk Inc), and Steve Jobs (Universal Pictures). He holds an MFA in Acting from Southern Methodist University, and is a Company Member with the Arabian Shakespeare Festival and SF PlayGround.
ELENA WRIGHT is an Oakland actor, director, and fight choreographer. Her work has been seen at Marin Shakespeare, TheatreWorks, Central Works, Pacific Repertory Theatre, California Shakespeare Theatre, Capital Stage, Marin Theatre Company, Symmetry Theatre, Shotgun Players, Seattle Shakespeare, and B Street Theatre, among others. Film credits include The Secret Life of a Hotel Room, Value Over Replacement, and By Chance. She just returned from Mexico where she performed in a bilingual production of The Language Archive. She received her B.S. Northeastern University, and M.F.A. in acting from the University of Washington.